Undrowned: Black Feminist Lessons from Marine Mammals by Alexis Pauline Gumbs is one of the strangest books I have read recently – and I mean that in an extremely positive way. I admit I had to get into it first, but then this unusual way of talking about dolphins, whales, seals and co. in connection with Black experiences won me over.
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The ambition was to write about the colonization of Australia and the terrible inheritance it created. The push was to show the depth and power of language and culture as it attaches to wellbeing.
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Ginger tea to Germans is starting to feel like what Windex brand glass cleaner was to the father in My Big Fat Greek Wedding.
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It’s a Saturday morning and it’s still very quiet in the Gropius Bau. I am looking forward to the exhibition “Indigo Waves and Other Stories: Re-Navigating the Afrasian Sea and Notions of Diaspora” – a group exhibition of writers, artists, filmmakers and musicians in the Gropius Bau.
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Betiel Berhe explores and explains how closely related the dimensions of race and class are, by way of her own biography and various events of recent years.
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Intruders ranges from stories about familiar monsters – werewolves and ghosts, say – to imagining technologies of the not-too-distant future – eye implant computers, for example. Even when the imagined taps into a familiar trope or figure, like the mermaid, Mashigo gives it a twist…
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Bernardine Evaristo’s Mr. Loverman is the perfect book for fans of the series Grace and Frankie. It’s the story of an older gay couple in love, a rollercoaster ride of emotions between secrecy and coming out, lightened up by extremely funny characters.
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There isn’t a garlic tool in the world that has met with my approval so far. I’ve probably tried all of the ones that are small enough to justify filling space in your kitchen. (As opposed to some overpriced whack-chopper machine advertised on TV.)
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Jessica George’s debut novel Maame has the air of being the well-behaved little sister to Candice Carty-Williams Queenie. Like Queenie, Maddie, the protagonist, goes through crises and explores her sexuality, but she is – perhaps because of the Christian upbringing in her Ghanaian family home – far less reckless.
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“I was a palm-wine drinkard since I was a boy of ten years of age. I had no other work than to drink palm-wine in my life.” So begins Amos Tutuola’s famed The Palm-Wine Drinkard, which came out in 1952 and is widely feted as the first West African novel in English published internationally.
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