As a staunch supporter of books reflecting the diversity of South Asian voices and experiences, I love that Gold Diggers by Sanjena Sathian is a story grounded in real life struggles bolstered by ancient magic and spirituality, history, and a nerve-jangling heist.
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Gold is a precious material in Indian culture. It represents prosperity, fertility, good fortune – basically, all the things you want to have when starting a new life and establishing a family. For Hindus, gold is also connected to the goddess Laxshmi. As well as its spiritual richness, it has also represented a quiet power in the hands of women for centuries when practices like dowry and bride price were common.
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I picked up up Hullabaloo in the Guava Orchard at the beginning of this year – I’ll let you work out which events prompted me to reach for this book about a guy who garners a lot of adoring followers that sincerely believe he has the answers to everything – because as we know, books are a way of contextualizing the world.
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Rosarita, Desai’s newest novel, is the story of Bonita, a young Indian woman from New Delhi who has come to San Miguel, Mexico for Spanish immersion courses. One day in the Jardín, she is confronted by the woman Vicky who becomes The Stranger and later, The Trickster. The Stranger claims to have known Bonita’s mother, Sunita. Except, The Stranger calls her Rosarita. Rosarita, insists The Stranger, was once a great artist who had travelled from India to learn from the great painters of Mexico.
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It’s an open secret that migration is the backbone of our food systems. And Punjabi workers are an essential part of the Italian cheese industry.
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In my family, caste was mostly a far away concept. As an adult, I am trying to constantly interrogate my positionality within my Indian identity and that includes acknowledging the privileged aspects.
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Takeaway Party Anyone? Chef’s Kitchen Chinese takeaway in El Cerrito, California was a beloved after school institution when I was in high school. There was only a small counter, no indoor seating, and an open kitchen. Every so often a burst of fire would shoot up from one of the furiously moving woks. There aren’t […]
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What’s great about cinema though – lest you thought I wasn’t going to mention books versus movies – is that it has helped to diversify this aesthetic of storytelling. So I was especially thrilled when I first came across Biren Nag’s Kohraa, (‘The Fog’) a film from 1964 which is an adaptation of Rebecca the novel by Daphne du Maurier and film by Alfred Hitchcock.
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Meera Syal’s Life isn’t All Haha Heehee follows the lives of three best friends who grew up together in the Punjabi community of East London.
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In Meera Syal’s semi-autobiographical novel, Meena Kumar is the only Indian girl in the former British mining village of Tollington. While her parents wait in vain for their daughter’s sudden and definitive metamorphosis into the model Indian girl, all Meena wants is to be a Tollington wench.
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