In her second essay, Sophie Yukiko continues her critical examination of the German Ballroom culture. She observes that it holds huge potential because from its earliest days, it has always been a space for discussion, criticism, adjustment and conversation.
German-American writer, performance artist and cultural curator Sophie Yukiko looks back on a decade of creating and experiencing Ballroom Culture in Germany. With a critical look on the reproduction of powerdynamics, she tries to find out what happened between 1980’s Harlem and today while diving into the conflicts and potentials of the German scene.
To travel is a privilege not afforded to all. While that might seem a bit hyperbolic in times like these, it is in fact a reality for most of the world.
If your interests lie with the postcolonial, Shakespeare might seem like an unlikely port of call. Or rather, he might seem representative of a lot of the things a postcolonial approach would be interested in working against. He could, for instance, represent what needs to be removed in calls to ‘decolonize the university’: a dead […]
The postcolonial occupation with art enables a negotiation that positions itself permanently against the colonial gaze, and in doing so can actually be and become a form of resistance.
Current power relations are the direct result of the colonial division of the world and, in particular, the organization and state of labor since the colonization of the Americas. It is why today we can no longer speak of colonialism, but of coloniality. And identifying coloniality creates an intervention.
The home mandir is integral to daily living. It’s your ‘last stop’ before you start your day and before you go to bed. If something good happens, you go here to show your gratitude. When something challenging or terrible happens, you come here for comfort and strength.
Many people who grow up in Germany believe that colonialism belongs to the distant past and has no influence on them. However, this is not true. Postcolonialism is reflected in the Eurocentric worldview, the media, language and in consumer behaviour.