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What’s great about cinema though – lest you thought I wasn’t going to mention books versus movies – is that it has helped to diversify this aesthetic of storytelling. So I was especially thrilled when I first came across Biren Nag’s Kohraa, (‘The Fog’) a film from 1964 which is an adaptation of Rebecca the novel by Daphne du Maurier and film by Alfred Hitchcock.
more...In her second essay, Sophie Yukiko continues her critical examination of the German Ballroom culture. She observes that it holds huge potential because from its earliest days, it has always been a space for discussion, criticism, adjustment and conversation.
more...German-American writer, performance artist and cultural curator Sophie Yukiko looks back on a decade of creating and experiencing Ballroom Culture in Germany. With a critical look on the reproduction of powerdynamics, she tries to find out what happened between 1980’s Harlem and today while diving into the conflicts and potentials of the German scene.
more...To travel is a privilege not afforded to all. While that might seem a bit hyperbolic in times like these, it is in fact a reality for most of the world.
more...We moved to Mumbai when I was 5 years old, already speaking Hindi, English, and crumbs of Nepalese, dregs of infancy passed in Kathmandu.
more...If your interests lie with the postcolonial, Shakespeare might seem like an unlikely port of call. Or rather, he might seem representative of a lot of the things a postcolonial approach would be interested in working against. He could, for instance, represent what needs to be removed in calls to ‘decolonize the university’: a dead […]
more...Around 12,000 kilometers apart are two places that could hardly be more different and yet share the same name: Lüderitz in the north of Saxony-Anhalt and Lüderitz in the southwest of Namibia. The two towns of Lüderitz act as a visual setting for negotiations of the past.
more...Like any respectable Indian family, the Shantis didn’t use the house kitchen, they cooked in their garage.
more...The postcolonial occupation with art enables a negotiation that positions itself permanently against the colonial gaze, and in doing so can actually be and become a form of resistance.
more...Current power relations are the direct result of the colonial division of the world and, in particular, the organization and state of labor since the colonization of the Americas. It is why today we can no longer speak of colonialism, but of coloniality. And identifying coloniality creates an intervention.
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