Aquariums – sitting perfectly at the intersection between a family chronicle and a pandemic tale, interwoven with the disastrous progression of the climate catastrophe – offers both indecisive and openminded readers alike a bridge between historical fiction and science fiction.
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Wright did not create a story that is simply about the Aboriginal town of Praiseworthy in Northern Australia, she created a wholly Indigenous novel.
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The recent novel by US-American writer Louise Erdrich centres on an Ojibwe woman called Tookie, grappling with her own past in the midst of the pandemic, protests and upheaval in Minneapolis.
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August Gondiwindi has been washing dishes in miserable grey London for ten years, when the death of her grandfather Albert causes her to journey home to Massacre Plains in Australia. Thus begins the story told by Tara June Winch in The Yield: a book both very beautiful and very sad.
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Tanya Tagaq, an Indigenous Canadian, is a multi-award-winning throat singer and experimental musician. She grew up in Ikaluktutiak, Nunavut and published her first and to date only book Split Tooth in 2018.
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When I start reading very thick books – The Nightwatchman with its nearly 500 pages is one of those – I’m often skeptical whether such bulk is really necessary. But I simply devoured this book in two days.
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In the course of our Green Library series, we were lucky enough to chat to the acclaimed author of Dark Emu: Aboriginal Australia and the Birth of Agriculture about this earlier book and his work cultivating Aboriginal farming methods on his farm in eastern Victoria.
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When I started reading Bruce Pascoe’s account of “Aboriginal Australia and the birth of agriculture”, as Dark Emu is billed on the cover, I must confess I didn’t expect it to be page-turner. But it is.
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