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magazine: Reviews

Tara June Winch
The Yield

August Gondiwindi has been washing dishes in miserable grey London for ten years, when the death of her grandfather Albert causes her to journey home to Massacre Plains in Australia. Thus begins the story told by Tara June Winch in The Yield: a book both very beautiful and very sad.

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Natasha A. Kelly
Schwarzer Feminismus: Grundlagentexte

Unrast Verlag published Schwarzer Feminismus: Grundlagentexte, a collection of contributions by Black feminists under the editorship of Natasha A. Kelly, in 2019. The book traces the development of the concept of intersectionality, which has increasingly become the focus of feminist debates in Germany in recent years.

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Stefanie Hirsbrunner
Could this be love?

Could this be love? is a bilingual anthology – all contributions are included in English and German – with personal essays on interracial relationships. It is one of the first books to be published by the newly founded InterKontinental Verlag.

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Tanya Tagaq
Split Tooth

Tanya Tagaq, an Indigenous Canadian, is a multi-award-winning throat singer and experimental musician. She grew up in Ikaluktutiak, Nunavut and published her first and to date only book Split Tooth in 2018.

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Nana Oforiatta Ayim
The God Child

Nana Oforiatta Ayim’s prose in her debut novel The God Child feels like poetry: vivid, associative, beautiful – and sometimes a little confusing. The story navigates between Ghana, Germany and the UK, following its young protagonist Maya from childhood to her early twenties, and is a narrative rich in history, complicity and complicated relationships.

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Tomi Obaro
Dele Weds Destiny

Tomi Obaro’s debut novel Dele Weds Destiny appealed to me with its beautiful, flashy cover and the prospect of a story about girlfriends. The book with its simple prose and predictable characters was welcome company on a very hot beach day.

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