Jessica J. Lee’s third book, Dispersals, On Plants, Borders and Belonging, consists of fourteen personal essays about plants crossing borders and putting down roots in new places. Lee chooses several trees, shrubs and algae, which hold meaning in her own life, to engage with their history and journeys into different parts of the world. In doing so, she questions under what circumstances species are considered either cosmopolitan or invasive.
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After the revolution, a woman and a man become acquainted in a café in Cairo. A romance develops between the two of them, but it then takes a violent turn.
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To travel is a privilege not afforded to all. While that might seem a bit hyperbolic in times like these, it is in fact a reality for most of the world.
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Meera Syal’s Life isn’t All Haha Heehee follows the lives of three best friends who grew up together in the Punjabi community of East London.
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We moved to Mumbai when I was 5 years old, already speaking Hindi, English, and crumbs of Nepalese, dregs of infancy passed in Kathmandu.
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The novel, by writer and literary historian Ahmet Hamdi Tanpınar (1901-1962) is considered one of the most meaningful works of modern Turkish literature and offers a satirical glimpse into the processes of modernization during the transition from the Ottoman Empire to the Republic of Turkey.
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In the Old Testament, the story of The Tower of Babel is told: in reaction to the hubris of humankind, God spreads people across the world and muddles up their languages. The barriers to understanding thus become the penalty for humankind’s hubris. R. F. Kuang’s Babel takes place in a similar time of human arrogance: in 1836, Oxford – with its fictive Royal Institute for Translation, informally known as Babel – is at the centre of the British Empire.
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In Meera Syal’s semi-autobiographical novel, Meena Kumar is the only Indian girl in the former British mining village of Tollington. While her parents wait in vain for their daughter’s sudden and definitive metamorphosis into the model Indian girl, all Meena wants is to be a Tollington wench.
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Within the framework of the Resonance program organized by the Goethe-Institutes in France, Justine Coquel and Anna von Rath chatted with Lucie Lamy, who, together with Jean-Philippe Rossignol, translated May Ayim’s works into French.
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Join us for an online lecture with Ervin Malakaj about literature in, not of, Germany on zoom on June, 4.
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