Under the somewhat abstract title Weltenwechsel (Change of Worlds), Kraft tells the story of a Black girl growing up in southern Germany shortly after the end of the Second World War. With this perspective on the post-war period, Kraft fills a gap in the German literary landscape.
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During the era of German colonialism, wireless telegraphy served as an instrument of colonial control. Various aspects of this history and its legacies are addressed in Lene Albrecht’s novel Weiße Flecken (White Spots), in the workbook From Windhoek to Kamina to Nauen, and in the exhibition “Signals of Power” at the Brandenburg Museum in Potsdam.
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German-American writer, performance artist and cultural curator Sophie Yukiko looks back on a decade of creating and experiencing Ballroom Culture in Germany. With a critical look on the reproduction of powerdynamics, she tries to find out what happened between 1980’s Harlem and today while diving into the conflicts and potentials of the German scene.
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In 2019, Yasemin Altınay founded the Literarische Diverse publishing house. In this interview with poco.lit., she offers insights into her work, talks about her motivation and the challenges of the literary industry.
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The writer Olga Grjasnowa, whom many readers probably associate with her novel All Russians Love Birch Trees (Der Russe ist einer, der Birken liebt), was born in Baku, Azerbaijan, and came to Germany when she was eleven. In her recently published non-fiction book, The Power of Multilingualism – On Origins and Diversity (which has not […]
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I have rarely read a book that looks at the topic of social background in such an impressive and intersectional way.
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Durch diesen lesenswerten Roman ziehen sich viele Fragen: Wer radikalisiert sich eigentlich und warum? Wer hat das Recht zu entscheiden, was die richtigen Werte sind? Richtige Werte für wen?
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