During the era of German colonialism, wireless telegraphy served as an instrument of colonial control. Various aspects of this history and its legacies are addressed in Lene Albrecht’s novel Weiße Flecken (White Spots), in the workbook From Windhoek to Kamina to Nauen, and in the exhibition “Signals of Power” at the Brandenburg Museum in Potsdam.
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This essay explores how public responses to the statues of Edward Colston in Bristol and Cecil Rhodes in Oxford expose tensions within Britain’s collective memory.
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Issa, who lives in Frankfurt am Main, is pregnant and desperate. The situation with her child’s father is complicated as is with her mother. No longer knowing what to do, and at the urging of her mother, she flies to see her grandmother and great-grandmother in Cameroon.
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Around 12,000 kilometers apart are two places that could hardly be more different and yet share the same name: Lüderitz in the north of Saxony-Anhalt and Lüderitz in the southwest of Namibia. The two towns of Lüderitz act as a visual setting for negotiations of the past.
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Postcolonial Potsdam has developed a web app. It introduces users to German colonial history through images and sound.
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