As the title of Natasha Brown’s debut novel suggests, it amounts to a coming-together, an assembling. A Black British woman attends a party for an upper-class white family. This celebration in rural England is the culmination of her inner dilemmas: has she made it or are her actions making her an accomplice to the racism she experiences? At this party, she makes up her mind.
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In her latest book, Manifesto: On Never Giving Up, Bernardine Evaristo reflects on her career. And what can I say? She knows her craft, and she knows how to present herself and her work in an extremely likeable way.
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Since Abdulrazak Gurnah was awarded the Nobel Prize for Literature in 2021, the Zanzibar-born author who lives in the UK has suddenly become known to mainstream audiences. Gurnah’s 2001 novel By the sea is about a dispute between two families that takes place against a backdrop of political change.
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Minaret tells the story of a Sudanese family’s fate: of loss, of migration, of drastic social decline, and of the support that religion can provide.
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As I read the book, I had the feeling that its main target audience is young boys who struggle with the expectations of having to be tough guys. Bola mentions that he wrote “Mask Off” precisely because he himself would have wished for just this book in his youth.
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In The Grassling, Burnett manages to write so elegantly and touchingly about nature, and what people can learn from it, that big issues suddenly feel more tangible.
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This essay is the third in a four-part series on Afropolitanism and literature. Brian Chikwava has not written a theoretical treatise on Afropolitanism. But his novel Harare North has been much discussed in the context of Afropolitanism.
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Die Schriftstellerin Andrea Levy, die in ihren Büchern über die Lebenswelt von jamaikanisch-britischen Menschen schrieb, verstarb im Februar 2019 mit 62 Jahren an Krebs.
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