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Magazin: Racism

“People are read differently depending on where they are”: A conversation with Raphaëlle Red on the principle of the road novel

Raphaëlle Red is an author currently living in Berlin who writes in French, German and English. She is also doing her PhD on literature in the African diaspora. We had the pleasure of speaking with her about her French-language debut novel Adikou, its protagonist’s journey and its context from one language to the next. The German translation of the novel by Patricia Klobusiczky  was published in September 2024 by Rowohlt Verlag.

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“Women have always written”: An interview with Magda Birkmann

In Rowohlt Verlag’s newly launched series, rororo Entdeckungen, Magda Birkmann and Nicole Seifert select novels by remarkable but forgotten female authors from the twentieth century for publication. Last week we had the pleasure of talking to Magda Birkmann about this series and the novel Daddy was a number runner (Eine Tochter Harlems) by Louise Meriwether.

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“Differentiation is a prerequisite for alliances”: An Interview with Judith Coffey about Goynormativity (Gojnormativität)

Judith Coffey and Vivien Laumann critique that antisemitism and Jewish perspectives have thus far often been elided in intersectional debates. At the end of 2021, they published their book Gojnormativität (Goynormativity) to make Jewish positions more speakable and visible. We had the privilege of talking to Judith Coffey about the book.

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Natasha Brown
Assembly

As the title of Natasha Brown’s debut novel suggests, it amounts to a coming-together, an assembling. A Black British woman attends a party for an upper-class white family. This celebration in rural England is the culmination of her inner dilemmas: has she made it or are her actions making her an accomplice to the racism she experiences? At this party, she makes up her mind.

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Jasmina Kuhnke
Schwarzes Herz

Schwarzes Herz is the first novel by anti-racism activist Jasmina Kuhnke, and it reads like a diary entry by the protagonist. The first-person perspective, which allows readers to experience the fictional world of the protagonist from her perspective, is a particularly valuable one in the context of racism and domestic violence: it’s the voice of an affected person and readers have to listen.

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