Many people who grow up in Germany believe that colonialism belongs to the distant past and has no influence on them. However, this is not true. Postcolonialism is reflected in the Eurocentric worldview, the media, language and in consumer behaviour.
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Granted, the cartoon sidewalks are usually spotless apart from the occasional pile of leaves and errant chewing gum, but that doesn’t mean it would have been any better if they’d taken their shoes off. Feet on books? No. Just, NO.
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Culture and religion aren’t merely things you carry with you. For some reason, I thought they were just two significant chunks of the building material shaping the me-ness. But I learned over time that they are things which largely exist in boxes.
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Ginger tea to Germans is starting to feel like what Windex brand glass cleaner was to the father in My Big Fat Greek Wedding.
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There isn’t a garlic tool in the world that has met with my approval so far. I’ve probably tried all of the ones that are small enough to justify filling space in your kitchen. (As opposed to some overpriced whack-chopper machine advertised on TV.)
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Representations of dis/ability run through the literature of every era. It seems to be a particularly useful narrative device for writers who address colonial contexts and their consequences. At the same time, depicting dis/abled characters allows these authors to question the social and potentially colonial construction of dis/ability.
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